Though quite short in length, this solo encompasses many patterns and style variations. Called a "power ballad," Slash pulls together classic rock soloing with melodic changes. This type of solo work is one of the main reasons why Slash is known as one of the greatest rock guitarists of his day.
Let's have a look at the entire solo then break it down phrase by phase to get a better look at each pattern and hand position in this iconic rock and roll "power" solo.
Now let's break it down step by step. This solo can basically be broken down into four parts. Beginning, two main section an end (which ends up in the same position on the neck as the first part). The solo can also be looked at as having three basic position changes throughout. The illustration below details each phrase of the solo is small parts so you can see visually how each piece fits together. This is also a great way to learn solos note for note and memorizing each pattern and finger position accurately. Hand position changes and finger placement are indicated in each section. Be sure to learn each note clearly at slow tempo until muscle memory is consistent.
Section two starts off with a octave chord that slides from position one to position two. Then moves to position three between parts seven and eight. The fingering for position two and three are indicated with the d# designated as a root note on the 13th fret of the fourth string.
Be sure to take you time and learn each note and position change perfectly. This type of solo must be played exactly in order to achieve the composition's true purpose as well as the writer's intention. Remember, this solo is quite short. Which makes every note all that more important.
Section three goes into the melodic parts, which are broken down into "block" section so you can get the idea of chordal structures these part use. It really makes it easy to understand once you see how they look broken up like this. It also helps so you can be sure to have the fingering down perfect every time you play it. When you're playing live or performing there is no room to make mistakes. And staying with the idea that every note should be played perfectly, these blocks make it possible to achieve that.
The fourth section of this solo ends up back in position one. As indicated in the illustration below: the feedback from the amp and guitar is given in the notation so you can get an idea of the pitch that Slash is hitting and the tones that can be achieved. You don't have to play the higher notes. But rather, you can experiment with your own feedback and find the correct pitch.
As always take each phrase one step at a time and make sure you play each note clearly at a slower tempo. Once you have each position change and finger placement together at a comfortable pace you can work up to a the normal tempo. And also, because of muscle memory, it's very important that you hold the guitar correctly when you are first learning the parts. Once you get the solo down with no strain feel comfortable making all the changes accurately, then you can hold the guitar any way you want. See my section on holding the guitar and just remember; be comfortable when you play.
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